ساخت عکس با شخصیتهای انیمهای در رستوران رامن با هوش مصنوعی
عکس شما پشت پیشخوان یک رستوران رامن است، با کاسهی بزرگ نودل جلویتان و چند شخصیت کارتونی که از اطراف سرک میکشند. پرامپت کادر و ترکیب را دقیق قفل کرده است.
- برای
- ساخت عکس
- مدل
- نانو موز پرو
- هر ساخت
- ۱۵۰ اعتبار
- دسته
- ابزار تصویری

این پرامپت چه کار میکند؟
این از طولانیترین پرامپتهای هوشنگ است و بیشترش ترکیببندی را توصیف میکند: دوربین دقیقاً وسط و همسطح چشم، شما در مرکز قاب، کاسهی سرامیکی زیر صورت و چاپستیک با مقداری نودل در دست. هدف این است که هر بار همین چیدمان تکرار شود.
پرامپت یک صحنهی ثابت با چینش شخصیتها را میسازد. شخصیتها از یک مجموعهی مشهور هستند و تصویر ساختهشده ارتباطی با صاحبان آن اثر ندارد.
چطور با هوشنگ انجامش بدهیم؟
- دکمهی بالا را بزنید تا تصویرساز با این پرامپت باز شود و پرامپت را در فرم بگذارید.
- عکس خودتان را اضافه کنید: روبهرو و با لبخند، تا با ژست پرامپت جور باشد.
- بسازید. چون پرامپت بلند است، ساخت ممکن است کمی طول بکشد.
متن پرامپت
متن کامل پرامپت (۷٬۸۸۷ نویسه): برای دیدن بزنید
ABSOLUTELY LOCKED SHOT AND COMPOSITION: Reproduce this exact framing and character arrangement consistently. Use a horizontal 16:9 landscape composition. The camera is perfectly centered, straight-on and positioned at the seated person’s eye level. The result must look like a carefully staged frontal group portrait taken from the customer’s side of the ramen counter. The person sits exactly in the horizontal center of the frame, facing the camera completely frontally. Show them from approximately the lower torso upward. Their head, torso, both forearms and both hands must be visible. The person’s face occupies the exact visual center of the image. Their body is not turned, tilted or leaning. They look directly toward the camera with a relaxed, subtle and natural smile. Place a large handmade ceramic ramen bowl directly below the person’s face, centered horizontally in the lower-middle area of the image. The person raises their right hand on the left side of the image and holds wooden chopsticks horizontally at chest height. The chopsticks lift a small bundle of noodles directly above the bowl. Long noodle strands hang vertically from the chopsticks and remain naturally connected to the ramen. The person’s left hand, visible on the right side of the image, rests naturally against the side of the bowl and stabilizes it on the counter. The chopsticks, hand, noodles and steam must never cover the person’s face. The aged wooden counter extends horizontally across the entire bottom of the image and occupies approximately the lower 20 percent of the composition. Only the countertop and a narrow section of its front edge are visible. CHARACTER PLACEMENT: Arrange exactly seven Pokémon in a tight, layered semicircle around the person. Reproduce this specific spatial arrangement: CENTRAL BACKGROUND: • Snorlax sits directly behind the person and is perfectly aligned with the central vertical axis of the frame. • Snorlax is the largest visual element. Its enormous head appears immediately above and behind the person’s head, while its shoulders and upper torso spread broadly across most of the background. • The person’s head overlaps the lower central area of Snorlax’s cream-colored belly. Snorlax must not be placed to one side. • Snorlax remains partially cropped by the upper and lateral boundaries of the composition. Do not shrink it to reveal its complete body. LEFT GROUP: • Pikachu sits securely on the person’s shoulder on the left side of the image. Its head is positioned beside the person’s head, and its body leans slightly inward toward the noodles. • Greninja crouches immediately behind Pikachu and the person’s left shoulder. Its head, eyes, tongue scarf and one hand must remain clearly visible. Its body may be partially hidden through natural overlap. • Absol occupies the lower-left edge of the group, directly beside the person’s arm. Its head, mane and upper torso are visible above the counter. It looks upward toward the food. • Togepi stands completely visible on the wooden counter in the lower-left foreground. It is positioned between Absol and the ramen bowl, but it must not touch or obstruct either of them. RIGHT GROUP: • Charizard crouches immediately behind the person’s right shoulder. Its head is approximately level with the person’s head and very close to them. Its neck and partial upper torso are visible, while its body and folded wings continue behind the other characters and outside the composition. • Wobbuffet occupies the lower-right side, immediately beside the person’s arm and above the counter. Its head and upper torso are fully visible. It leans slightly inward toward the ramen. • Wobbuffet partially overlaps Charizard’s lower body, but their faces must remain completely separate and readable. All Pokémon must be very close to the person, with compact natural overlap and almost no empty space between the characters. They should look like affectionate pets surrounding their owner and begging for food. All Pokémon direct their eyes, heads and attention toward the lifted noodles or the ramen bowl. None of them look away from the food. Do not change these positions. Do not randomly reorder the Pokémon. FRAMING PROPORTIONS: • Horizontal 16:9 aspect ratio. • The person occupies approximately the central 40 percent of the frame width. • The person’s eyes sit slightly above the horizontal centreline. • The ramen bowl sits approximately 75 percent down from the top edge. • The wooden counter begins at approximately 80 percent of the image height. • Snorlax fills most of the upper central background. • Pikachu, Greninja, Absol and Togepi create the compact left-side cluster. • Charizard and Wobbuffet create the compact right-side cluster. • The lanterns are only partially visible in the two upper corners. • The noren curtain forms a horizontal strip across the upper background. CAMERA: Physical full-frame 50mm cinematic lens. Camera positioned approximately 2 metres directly in front of the person. Eye-level camera height. Straight-on frontal perspective. Medium group portrait. No wide-angle distortion. No exaggerated depth. No high angle. No low angle. No three-quarter view. No side perspective. No Dutch angle. No tilted horizon. Use moderately deep focus similar to f/5.6. The person’s face, hands, ramen bowl and all seven Pokémon faces must remain sharp and clearly recognizable. Only the distant restaurant wall and small background objects may have subtle softness. BACKGROUND: The background is a symmetrical, ancient Japanese ramen restaurant made from dark, aged timber. Place worn wooden walls, antique shelves, handmade ceramic vessels, old condiment containers and faded vertical paper labels behind the group. A dark, weathered noren curtain hangs horizontally across the top of the composition. It is partially cropped by the upper edge and has visible age, fading, uneven fabric and small worn areas. Two large traditional paper lanterns are partially visible at the extreme upper-left and upper-right corners. They frame the group symmetrically without entering the central area. A subtle vertical column of ramen steam rises behind and above the person through the central area. The steam remains translucent and does not obscure the face or Snorlax. LIGHTING: Use warm, soft amber lighting from the traditional paper lanterns, combined with a subtle frontal cinematic fill light. The lighting should illuminate the person and Pokémon evenly while retaining dimensional shadows and realistic material texture. Maintain neutral, believable human skin tones. Do not allow the warm lighting to turn the person’s skin unnaturally orange or red. Clearly preserve natural pores, fine lines, facial hair, uneven pigmentation and minor real-life skin imperfections. No skin smoothing, beauty filter or artificial facial glow. The final image must resemble a high-budget live-action Pokémon promotional still photographed inside a centuries-old Japanese ramen restaurant. COMPOSITIONAL NEGATIVE CONSTRAINTS: No vertical format. No square format. No 3:4 portrait format. No wide environmental view. No close-up that cuts off the bowl or hands. No full-body view. No side-facing person. No three-quarter body angle. No person looking down. No person actively placing noodles inside their mouth. No chopsticks or noodles covering the face. No off-centre person. No off-centre ramen bowl. No Snorlax positioned to the left or right. No small Snorlax. No complete full-body Snorlax. No Pikachu anywhere except on the person’s shoulder. No Togepi anywhere except on the counter. No reordered Pokémon. No Pokémon placed far from the person. No large empty spaces between characters. No Pokémon on ceiling beams or distant tables. No excessively shallow depth of field. No blurred Pokémon faces.
اگر بخواهید تغییرش بدهید
رستوران دیگر
جای «ramen counter» بنویسید «sushi counter» تا صحنهی سوشی ساخته شود.
نور شب
اضافه کنید: «نور فانوسهای قرمز و شب بارانی بیرون پنجره».
برای نتیجهی بهتر
- متن کامل را نگه دارید و کوتاه نکنید. بخشهای بعدی نقش شخصیتها و جزئیات صحنه را مشخص میکنند.
- عکس نیمتنهی رو به دوربین به ژست قفلشدهی پرامپت نزدیکتر است.
پرسشهای پرتکرار
چرا اینقدر بلند است؟
چون کادر، موقعیت دستها و اجزای صحنه را یکییکی توصیف میکند تا نتیجه از ساختی به ساخت دیگر ثابت بماند.
شخصیتها را میشود عوض کرد؟
بله، نام و توضیح شخصیتها در متن پرامپت است و میتوانید با شخصیت یا حیوان دلخواه عوض کنید.



